In his first work for the stage, No man’s land, alaa minawi invites the audience to explore the potential of the space in between. The performance is the second part of his series on Arab Futurism, a movement that reimagines the future from a present that no longer functions. While his award-winning installation The Liminal (IDFA 2024) explored the physical confinement of living “within the walls,” minawi now embraces the poetic and political openness of the theatre.